Panorama view of exhibition in Jedlitschka Gallery, Zurich.

Panorama view of exhibition in Jedlitschka Gallery, Zurich.

05 July 2019

Ruth Staff Brandl obituary








Ruth Staff Brandl

Ruth Staff Brandl, age 87, passed away Sunday morning June 30, 2019 in Alabama. Ruth was born September 14, 1931 in Maywood, Illinois to the late Andrew and Dorothy (Baerns) Staff. She was raised by mother Dorothy and step-father Anton Brandt in Sheboygan, Wisconsin. She attended Sheboygan area schools and graduated from North High School in 1950. Ruth married Earl B. Brandl, also of Sheboygan, on January 24, 1953 at St. Paul’s Lutheran Church in Sheboygan. The married couple relocated to Central Illinois, where they lived in Pekin, Illinois for many years. Earl passed away in 1980. In 1997, Ruth moved to Indianapolis, Indiana and then Spanish Fort, Alabama with her daughter Marcia Brandl Willhite and son-in-law Ronald W. Willhite, with whom she enjoyed great friendship as well as being related. Marcia was her caregiver in her battle against MDS and Leukemia, which Ruth met with her renowned, life-long positivity, sense of humor and wit.

Ruth had a rich and varied professional life as well as being a dedicated and inspirational mother. She began her work life in visual merchandizing display art for department stores. Later in life she worked in the X-Ray department at Pekin Memorial Hospital and as a Dental Assistant for Dr Joseph Aimone of Pekin.

Her life outside of employment was full and wide-ranging. In addition to remaining artistic, Ruth was a member of several Lutheran Churches, where she was active in choir, with a beautiful soprano voice, leading her to frequently be a featured soloist. She taught Sunday school, was an award-winning director of many plays with the Youth Group, and a member and officer of the Women’s Guild. She loved swimming, golfing and was also committed to dog and cat rescue. Most of all, she loved learning and was a voracious reader; she passed her love of this on to her children for which she ever-enriched their lives.

Survivors include her children Dr. Mark (Cornelia) Staff Brandl of Trogen, Switzerland; Marcia (Ronald) Brandl Willhite of Spanish Fort, Alabama; brother, LeRoy (Sylvia) Staff of Two Rivers, Wisconsin; niece Julie (Brian) Staff Swetlik, of Sheboygan Falls, Wisconsin; nephew and godson Mitchell Staff of Manitowoc, Wisconsin; as well as many other relatives and friends, including her 4 treasured dogs.

A private family memorial service will be held.

Family and friends may contact Marcia Brandl Willhite or Mark Staff Brandl by mail, email, or Facebook.

In lieu of flowers please donate to and be active in animal rescue.

03 July 2019

Dr Great Art Podcast Episode 53: Dictatorship of the Consensoriat


Dr Great Art podcast Episode 53: Dictatorship of the Consensoriat

The creation of a term for one of the problems in the artworld, one very obvious usually around June each year when we all go to the Basel Art Fair, often the Venice Biennale, documenta etc. A phrase for the convenient conformity of (small) minds to have identical tastes in order to achieve hegemony.
http://drgreatart.libsyn.com/episode-53-dictatorship-of-the-consensoriat

#arthistory #consensus #drgreatart #markstaffbrandl #postmodernart

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Dr Great Art Podcast 53

Dictatorship of the Consensoriat

Hi this is Mark Staff Brandl, with the 53rd "Dr Great Art" brief podcast. I hope you enjoy it and come back for each and every one.

Today my Artecdote concerns the creation of a term for one of the positions we find ourselves in within the artworld. One of our larger problems, one very obvious usually around June each year when we all go to the Basel Art Fair, often the Venice Biennale, documenta etc.

Thinking about this, way back in 2007 I created a phrase and word within it, which I have used regularly. I would like to draw attention to it here once again, with the hope that ever more people in the artworld use it.

The phrase is "Dictatorship of the Consensoriat:"

I wish to re-introduce this word and phrase into the international artworld dialogue. Please assist me by using it every chance you get. Forming neologisms is one of my favorite diversions, especially since I learned Latin. It may be a slightly arcane hobby, but I enjoy it, and terminology can control far more of ones thought processes than we are often happy to admit — therefore, why not grab the bull by the horns and begin to develop our own phrases for what we feel it is necessary to discuss or critique. Shakespeare created words like amazement and radiance, which have become commonplace. These made-up words have stood the test of time because they expressed notions people wanted to articulate, and because they were understandable. Let's hope I can do something similar, if less inspired. In fact, Shakespeare, in his plays, sonnets, and poems, used approximately 17,677 different words —and of those 17,677 words, 1,700 were brand-new, coined by him.

While immersed in various local struggles with the regional outpost of the "consensus clans" in first Chicago then Switzerland and elsewhere, I began to see that I needed a few new terms.

My contributions usually nit-pick one or two professions unnecessarily, for the drive to the herd mentality manifests itself in all the sub-layers of the artworld currently. Therefore I began to play with Latin (rather freely and not always correctly, thus making what is known as "ML," or Modern Latin). I needed a term for the international cabal of consensus-thinkers, and I needed a phrase containing that word to express the power-control situation of the artworld since about 1987. I played with consensus, primarily, as that expresses the problem concisely. I tried to find a word expressing "those who seek only consensus" or something similar. I remembered the old Communist sententious saw, "The Dictatorship of the Proletariat." Mixing that with censor, and utilizing the similar and appropriate ending –iat, I had my term and phrase. (-at, or –ate, or –iat, is a suffix occurring in loanwords from Latin. In English the use as a verbal suffix has been extended to stems of non-Latin origin, and by way of French into the formation of certain nouns.)

I suspect I need not exactly define the group to whom I am referring, as most of us deal with them on a daily basis.

I often call them, them the "Consensus Clique." That is, a few people gathered together, who actively exclude as many others as possible (particularly artists) and tacitly agree to agree on everything. They check in with each other regularly and only promote the lowest common denominator of what they concur on. This is not a conspiracy, they say, just a very convenient conformity of (small) minds to have identical tastes in order to achieve hegemony. You can envision what I mean. The small group: including international curators who show all exactly the same few artists, no matter what the supposed theme of the show is; art bureaucrats who give all awards to the exact same people; supposed theorists who all borrow from exactly the same few recent fad thinkers (whether Lacan or Derrida or whoever is "in" now); artists who unquestioningly do boringly almost identical Late Minimalistic Neo-Concept Art; art professors who teach and force that style; everybody who bootlicks this group, etc. etc. etc. ad infinitum, ad nauseam.

However, now my improved terminology. Let them be called the Consensoriat (when they have positions of power), and let this sub-period of time at the close of Postmodernism be designated as "the Dictatorship of the Consensoriat." And let us now work on this Late Corporate Capitalist form of Academicism to bring its demise to a hasty conclusion.

That was The Dictatorship of the Consensoriat.

Thanks for listening. Podcast number 53. If you wish to hear more cool, exciting and hopefully inspiring stuff about art history and art, come back for more. Also I, Dr Mark Staff Brandl, artist and art historian, am available for live custom Performance-Lectures. In English und auf Deutsch, with Performance-Paintings!

I take viewers inside visual art and art history. Entertainingly, yet educationally and aesthetically, I analyze, underline, and discuss the reasons why a work of art is remarkable, or I go through entire eras, or indeed through the entirety of art history, or look at your desired theme through the lens of art history. The lectures often take place with painted background screens and even in my painting-installations. Most recently I did "Petr Jan Brandl, Baroque Art, Prague and Me" in Prague at the Festival Brandl.

You can find or contact me at

www.drgreatart.com/ (spell)

book me at www.mirjamhadorn.com (spell)

or find me on Facebook, Twitter, Instagram, all as Dr Great Art.