15 July 2017
Get your free e-pub version of the documentation book (called "artists' catalogues" in the jargon) of my huge painting-installation at Jedlitschka Gallery in Zurich, Switzerland based on my PhD dissertation.
I recommend NOT using Microsoft Edge to read it (which Windows computers tries to use immediately), as it eliminates the cover and puts the double page spreads wrong. MY favorite for its visual effect is the program "Cover" (also free), originally intended for comics. (http://www.frenchfrysoftware.com/cover/)
Here is the publication! (c), tm and all that 2013, 2017 Mark Staff Brandl
I hope you enjoy it! Right click, download, then read in your viewer:
This is the script (not a transcript, as I change elements when recording).
(incl. Neue Wilden, transavanguardia)
11 July 2017
I cannot work when sad. For my art I need hope, and that gives me inspiration and energy and ideas.
I think much art, especially American, especially African-American, comes out of a Blues mentality --- but NOT 'melancholy' as thought of in the past!
Dr Cornel West describes himself as a "Bluesman in the life of the mind, and a Jazzman in the world of ideas."
I feel similarly, I am a Bluesman of the mind, a RocknRoller of painting, a sequential-artist/comicbook penciler of art history. West is an amazing inspiration to me.
17 June 2017
My newest podcast! Episode 15: Paradigms and Fuzzy Categories.
This Dr Great Art artecdote is about a form of definitional conceptualization, paradigms and fuzzy categories, and how that is important to understanding art. http://drgreatart.libsyn.com/episode-15-paradigms-and-fuzzy-categories
This is the script (not a transcript, as I change elements when recording).
Dr Great Art Podcast Fifteen
So, street version--- "a thing hanging on a tree or bush that you can eat. And it does not kill the plant." So that is a list: thing, hang, tree, eat, not kill.
14 June 2017
The newest Dr Great Art podcast. Episode 14: Introducing Th. Emil Homerin. An artecdote about a person: Dr Professor Th. Emil Homerin, an important, inspiring scholar of religion, especially mysticism, especially the Sufis, with significant thoughts concerning art.
Here is the script (NOT a transcript as I change elements while recording).
Dr Great Art Podcast Fourteen
"Presenting Th. Emil Homerin!"
Hi this is Mark Staff Brandl, with the 14th "Dr Great Art" brief podcast. I hope you enjoy it and come back for each and every one.
Today my Artecdote is about a PERSON. In addition to artists and artworld denizens, I would like to present to my Dr Great Art audience people in other fields who I think are inspiring.
I am starting this with Dr Professor Th. Emil Homerin. That is his full name, he goes by "Emil," and is a close personal friend of mine, but as is usual for such things, I will call him "Homerin" here. I am beginning with Homerin as I feel he is significant, but also because this podcast will be first presented a bit after May 19th, both Homerin's and my birthday. 62 years old this time!
Thomas Emil Homerin is an American scholar of religion, especially mysticism, especially the Sufis: the wonderful Islamic mystical poets. Homerin is one of the most notable scholars of religion alive, I feel, although that will embarrass him. He publishes extensively, including books, essays, articles and entries in major encyclopedias such as Encyclopedia of Islam. Currently, he is Professor of Religion in the Department of Religion & Classics at the University of Rochester, where he teaches courses on Islam, classical Arabic literature, mysticism, and Mt. Hope Cemetery in Rochester. More about that last fun class later. And other of his exciting projects that bear on culture and art.
Thomas Emil Homerin, generally abbreviates his first name to "Th." for publication, something I suggested to him when we were kids, when I discovered it in an old book, so blame me. Th. Is also sometimes used as the abbreviation for the Gospel of Thomas, that doubting apostle, Emil’s namesake. And 'Homerin' is the diminutive for Homer, which can mean a follower of that great poet, just as 'Brandl' is the diminutive for 'conflagration.' I like that Little Big Homer and Little Big Fire.
He is the son of two wonderful humans: Floyd and Miriam Homerin, and brother of John A. Homerin. While growing up in Pekin, Illinois, Homerin attended Douglas Elementary School, Washington Junior High School, and Pekin Community High School. He is a graduate of the University of Illinois at Urbana-Champaign (B.A. '77, M.A. '78), and completed his Ph.D. with honors at the University of Chicago ('87). Homerin married Nora Walter in 1977, and they have two sons, Luke (born 1987), and Elias (born 1991). Nora has been a paediatric oncology nurse, which I think is one of the most difficult yet admirable jobs on Earth.
Homerin and I have a long history of friendship. We met when we were both 10 years old. A fast friendship ensued especially when we learned we were born on the same day, about 10 hours and ten miles apart. May 19, 1955. Over the past 42 years we have collaborated repeatedly on reviews, articles, comics, artworks and other areas that interest us.
A specialist in Arabic literature and Islam, Homerin has lived and worked in Egypt, Morocco, and Turkey. Among his many publications are The Wine of Love & Life: Ibn al-Fârid's al-Khamrîyah and al-Qaysarî’s Quest for Meaning, From Arab Poet to Muslim Saint and his anthology of translations, Ibn al-Fârid: Sufi Verse & Saintly Life published as part of the esteemed Paulist Press series Classics in Western Spirituality. The last of these books features a cover painting by me! Homerin also authored several chapters on Islam in The Religious Foundations of Western Civilization. Further books include the new and very exciting book translating an important female Sufi, ‘Ā’ishah al-Bā’ūnīyah’s Principles of Sufism.
AND MANY MANY more. Forgive me for my probable mispronunciations of the names.
One of the greatest things about his work is that even when he is "just" (in scare quotes) translating, he is NOT just translating. Homerin has worked very hard to become a very very fine poet in his own right, thus the translations of poetry are themselves poetry, not just simply literal redoes. One of the hardest things to do.
Death and the afterlife have been another major focus of Homerin’s work, and he has carried out field work in Cairo's cemetery. This initiated his interest in American funerary customs and practice which evolved into his course Speaking Stones on Mt. Hope Cemetery in Rochester, New York. He examines and teaches about western funeral ritual and practice, with a particular focus on cemeteries in the United States, and how the iconography and epigraphy of graves and funerary monuments forge symbolic connections among the living and the dead.
Homerin has been the recipient of NUMEROUS grants and awards, which you can google, as I do not have that much time here, but they include the Fulbright Foundation, the American Research Center in Egypt, and the National Endowment for the Humanities. and prizes as a great teacher! To which I can attest.
Some of Homerin's recent exciting projects are versions of operas presented live, with a small cast for the group Table Top opera but centered on the projected drawings illustrating the operas in comic/sequential art form by the talented, and famous, P. Craig Russell. Furthermore, he has several projects in production and planning for the future, including artworks and comics with me.
Homerin has published on and off widely about art. Once again google him. He did a wonderful feature article on the series of mail-art and performances he and Nora did in collaboration with me in Egypt, published in High Performance magazine in Fall of 1981, titled "Dusk Rituals for Egypt." It was followed up by two exhibitions of paintings and relics of the performances, in Cairo and Alexandria.
I use one quotation from one of his earliest publications a lot. Including in my PhD dissertation. It shows how so much of his thought, although seemingly from a far-off field, has great bearing on contemporary artists' endeavors --- and is inspiring! Which is what I try to do with Dr Great Art.
What Th. Emil Homerin has written of metaphor and naive belief in the context of religion holds for the arts even more so. Let me read it again here:
"When a myth or belief is no longer accepted as a literal account, whether due to a period of crisis or cultural transition, it may be recast in a new form, humanizing and assimilating more primitive dimensions by the symbolic and evocative nature of metaphor. The primary symbols of a culture are then perceived and colored by the individual consciousness receiving a specific complexion over long periods of time, and their multiple, often subtle, meanings lend themselves to those religious and poetic usages whose function is to establish man's meaningful existence in a seemingly indifferent world."
I claim that certain assumptions may, following Homerin's assertion, become more useful, not less. Artworks which were previously viewed as "inspired oracles of an ecstatic saint" may now be interpreted as "profound descriptions of humanity's existential state." This is not a loss, except perhaps of naïveté, but rather a gain in understanding. I assert this transformation of literal belief into more evocative cultural metaphor is one of the chief functions of artists today.
And just wait to see what Emil and I have coming up together! And separately.
There will occasionally be other people of interest presented her on the Dr Great Art podcast.
That was "Presenting Th. Emil Homerin."
Thanks for listening. That was podcast number 14. If you wish to hear more cool, exciting and hopefully inspiring stuff about art history and art, come back for more. Also I, Dr Mark Staff Brandl, artist and art historian, am available for live custom Performance-Lectures. In English und auf Deutsch.
I take viewers inside visual art and art history. Entertainingly, yet educationally and aesthetically, I analyze, underline, and discuss the reasons why a work of art is remarkable, or I go through entire eras, or indeed through the entirety of art history, or look at your desired theme through the lens of art history. The lectures often take place with painted background screens and even in my painting-installations. most recent ones were on the image of Social work in Art History, "Kunstgeschichte in Schnelldurchlauf, Sozialarbeit in der Kunst," the image of the dog in Art History, and the entire history of Postmodernist Art from 1979 through today.
You can find or contact me at
book me at www.mirjamhadorn.com
or find me on Facebook, Twitter, Instagram, all as Dr Great Art.
18 May 2017
Read more at http://drgreatart.libsyn.com/episode-7-art-beyond-complaint
What can we do to improve the situation in art?
First of all, make extremely high quality art. Particularly with well-honed technical abilities. If you DO NOT now have these skills, this is NO surprise as they are seldom taught in art schools any more. But GET them. That ability can not be denied nor taken away from us and will outlive many an overblown curator justification.
Second, openly criticize the situation. Step on toes. Stop kissing butt. And that means IN THE ARTWORLD as well as in the POLITICAL WORLD!
Third, offer and create constructive alternatives, even perhaps to the point of creating your own artworlds, venues and so on. Even the biggest ones are really only art-villages after all, as Paul Klein has so rightly stated. Attempt to add a positive answer to every correct criticism you level.
Sixth, leave doors open. Tell the truth, be upset about hypocrisy and lies and toadiness, but be willing to "let it go" if they improve, if the purveyors of pedantry and their groupies gain consciousness or make overtures toward reparation.